{"id":1583,"date":"2025-03-26T21:10:11","date_gmt":"2025-03-26T21:10:11","guid":{"rendered":"https:\/\/pf-yb.com\/?p=1583"},"modified":"2025-03-26T21:10:32","modified_gmt":"2025-03-26T21:10:32","slug":"%d0%bc%d0%b0%d0%ba%d0%b0%d0%b1%d1%80%d0%b5%d0%bd%d0%b0%d1%82%d0%b0-%d0%b5%d1%81%d1%82%d0%b5%d1%82%d0%b8%d0%ba%d0%b0-%d0%b2-%d0%b8%d0%b7%d0%be%d0%b1%d1%80%d0%b0%d0%b7%d0%b8%d1%82%d0%b5%d0%bb%d0%bd","status":"publish","type":"post","link":"https:\/\/pf-yb.com\/bg\/blog\/2025\/03\/26\/%d0%bc%d0%b0%d0%ba%d0%b0%d0%b1%d1%80%d0%b5%d0%bd%d0%b0%d1%82%d0%b0-%d0%b5%d1%81%d1%82%d0%b5%d1%82%d0%b8%d0%ba%d0%b0-%d0%b2-%d0%b8%d0%b7%d0%be%d0%b1%d1%80%d0%b0%d0%b7%d0%b8%d1%82%d0%b5%d0%bb%d0%bd\/","title":{"rendered":"\u041c\u0410\u041a\u0410\u0411\u0420\u0415\u041d\u0410\u0422\u0410 \u0415\u0421\u0422\u0415\u0422\u0418\u041a\u0410 \u0412 \u0418\u0417\u041e\u0411\u0420\u0410\u0417\u0418\u0422\u0415\u041b\u041d\u041e\u0422\u041e \u0418\u0417\u041a\u0423\u0421\u0422\u0412\u041e \u0415\u043b\u0432\u0438\u0440\u0430 \u0422\u043e\u0434\u043e\u0440\u043e\u0432\u0430 \u041c\u0430\u0442\u0435\u0432\u0430 MACABRE AESTHETICS IN FINE ART Elvira Todorova Mateva"},"content":{"rendered":"

\u0420\u0435\u0437\u044e\u043c\u0435:<\/em><\/strong> In the space of creative expression there are themes that are persistently and invariably present. One of the eternal and concentrated emotional and philosophical dynamics is the theme of death. In the 14th and 15th centuries, two themes emerged in Western European culture \u2013 \u201eTriumph of Death\u201d and \u201eDance of Death\u201d (\u201eDanse macabre\u201d), whose original potential aroused the creative charge of a galaxy of artists. Vivid artifacts of medieval visual art, they are an impulse for a multilayered palette of manifestation and communicative dynamics in the visual arts in the Modern Age and our time.<\/p>\n

Ke<\/em><\/strong>\u0443<\/em><\/strong>words:<\/em><\/strong> \u201eTriumph of Death\u201d, \u201eDance of Death\u201d (\u201eDanse macabre\u201d), Middle Ages, fine art<\/p>\n

\n

\u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u0410<\/strong><\/p>\n

\u0410\u0440\u0438\u0435\u0441, \u0424.<\/strong> (2004)<\/strong>. \u0427\u043e\u0432\u0435\u043a\u044a\u0442 \u043f\u0440\u0435\u0434 \u0441\u043c\u044a\u0440\u0442\u0442\u0430.<\/em> \u0442. 2. \u041f\u043e\u0434\u0438\u0432\u044f\u043b\u0430\u0442\u0430 \u0441\u043c\u044a\u0440\u0442.<\/em> \u0421\u043e\u0444\u0438\u044f: \u0418\u041a \u201e\u041b\u0438\u043a\u201d.<\/p>\n

\u0414\u0435\u043b\u044e\u043c\u043e, \u0416.<\/strong> (2002)<\/strong>. \u0421\u0442\u0440\u0430\u0445\u044a\u0442 \u0432 \u0437\u0430\u043f\u0430\u0434\u043d\u0438\u044f \u0441\u0432\u044f\u0442 XIV \u2013 XVIII \u0432\u0435\u043a.<\/em> \u0421\u043e\u0444\u0438\u044f: \u0420\u0438\u0432\u0430.<\/p>\n

\u0425\u044c\u043e\u0439\u0437\u0438\u043d\u0445\u0430, \u0419. (2002)<\/strong>. \u0417\u0430\u043b\u0435\u0437\u044a\u0442 \u043d\u0430 \u0421\u0440\u0435\u0434\u043d\u043e\u0432\u0435\u043a\u043e\u0432\u0438\u0435\u0442\u043e.<\/em> \u0421\u043e\u0444\u0438\u044f: \u041f\u0430\u043d\u043e\u0440\u0430\u043c\u0430.<\/p>\n

 <\/p>\n

\u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u0410<\/strong><\/p>\n

Aries, F<\/strong>.<\/strong> (2004).<\/strong> Chovekat pred smartta. t. 2. Podivyalata smart. Sofia: IK \u201eLik\u201d.<\/p>\n

Delyumo, Z. (2002).<\/strong> Strahat v zapadniya svyat XIV \u2013 XVIII vek. Sofia: Riva.<\/p>\n

H<\/strong>\u0443o<\/strong>y<\/strong>zinha, <\/strong>Y.<\/strong> (2002)<\/strong>. Zalezat na Srednovekovieto. Sofia: Panorama.<\/p>\n

\u00a0<\/strong><\/p>\n

Autor Info:<\/strong><\/p>\n

S<\/em>enior lecturer<\/em> Elvira Todorova Mateva<\/em><\/strong>, \u0434-\u0440<\/em><\/p>\n

Academy of Music, Dance and Fine Arts in Plovdiv<\/p>\n

e-mail: elvira.mateva@artacademyplovdiv.com<\/p>\n

\n

\"\"09. Elvira Mateva<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Abstract: In the space of creative expression there are themes that are persistently and invariably present. One of the eternal and concentrated emotional and philosophical dynamics is the theme of death. In the 14th and 15th centuries, two themes emerged in Western European culture \u2013 \u201eTriumph of Death\u201d and \u201eDance of Death\u201d (\u201eDanse macabre\u201d), whose [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[150],"tags":[180],"_links":{"self":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/1583"}],"collection":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/comments?post=1583"}],"version-history":[{"count":2,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/1583\/revisions"}],"predecessor-version":[{"id":1586,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/1583\/revisions\/1586"}],"wp:attachment":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/media?parent=1583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/categories?post=1583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/tags?post=1583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}