{"id":941,"date":"2022-12-22T09:27:10","date_gmt":"2022-12-22T09:27:10","guid":{"rendered":"https:\/\/pf-yb.com\/?p=941"},"modified":"2022-12-22T17:55:13","modified_gmt":"2022-12-22T17:55:13","slug":"k%d0%b0%d0%bc%d0%b5%d1%80%d0%bd%d0%be-%d0%b2%d0%be%d0%ba%d0%b0%d0%bb%d0%b5%d0%bd-%d1%86%d0%b8%d0%ba%d1%8a%d0%bb-%d0%bf%d0%b5%d1%81%d0%bd%d0%b8-%d0%b8-%d1%82%d0%b0%d0%bd%d1%86%d0%b8-%d0%bd","status":"publish","type":"post","link":"https:\/\/pf-yb.com\/bg\/blog\/2022\/12\/22\/k%d0%b0%d0%bc%d0%b5%d1%80%d0%bd%d0%be-%d0%b2%d0%be%d0%ba%d0%b0%d0%bb%d0%b5%d0%bd-%d1%86%d0%b8%d0%ba%d1%8a%d0%bb-%d0%bf%d0%b5%d1%81%d0%bd%d0%b8-%d0%b8-%d1%82%d0%b0%d0%bd%d1%86%d0%b8-%d0%bd\/","title":{"rendered":"K\u0410\u041c\u0415\u0420\u041d\u041e-\u0412\u041e\u041a\u0410\u041b\u0415\u041d \u0426\u0418\u041a\u042a\u041b \u201e\u041f\u0415\u0421\u041d\u0418 \u0418 \u0422\u0410\u041d\u0426\u0418 \u041d\u0410 \u0421\u041c\u042a\u0420\u0422\u0422\u0410\u201d \u041e\u0422 \u041c. \u041c\u0423\u0421\u041e\u0420\u0413\u0421\u041a\u0418 \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041d\u0410 \u0421\u042a\u0417\u0414\u0410\u0412\u0410\u041d\u0415, \u0415\u043b\u0432\u0438\u0440\u0430 \u0422\u043e\u0434\u043e\u0440\u043e\u0432\u0430 \u041c\u0430\u0442\u0435\u0432\u0430 \/ CHAMBER-VOCAL CYCLE “SONGS AND DANCES OF DEATH” BY M. MUSSORGSKY \u2013 A HISTORY OF CREATION, Elvira Todorova Mateva"},"content":{"rendered":"

K\u0410\u041c\u0415\u0420\u041d\u041e-\u0412\u041e\u041a\u0410\u041b\u0415\u041d \u0426\u0418\u041a\u042a\u041b \u201e\u041f\u0415\u0421\u041d\u0418 \u0418 \u0422\u0410\u041d\u0426\u0418 \u041d\u0410 \u0421\u041c\u042a\u0420\u0422\u0422\u0410\u201d \u041e\u0422 \u041c. \u041c\u0423\u0421\u041e\u0420\u0413\u0421\u041a\u0418 – \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041d\u0410 \u0421\u042a\u0417\u0414\u0410\u0412\u0410\u041d\u0415<\/strong><\/p>\n

\u0415\u043b\u0432\u0438\u0440\u0430 \u0422\u043e\u0434\u043e\u0440\u043e\u0432\u0430 \u041c\u0430\u0442\u0435\u0432\u0430<\/em><\/strong><\/p>\n

CHAMBER-VOCAL CYCLE “SONGS AND DANCES OF DEATH” BY M. MUSSORGSKY \u2013 A HISTORY OF CREATION<\/strong><\/p>\n

Elvira Todorova Mateva<\/em><\/strong><\/p>\n

<\/em><\/strong>: The study of the creative creation of any work of art is connected with a deeper understanding and conscious interpretation of it. Discovering answers that clarify the questions of when, where, why and how are an important stage in learning about the authentic essence of the work. By exploring the historical details of the creative process delves into the deeper layers of the intimate psychological world of the creator. This development synthesizes the historically existing information about the process of creation of the vocal cycle “Songs and Dances of Death” by M. Mussorgsky, one of the emblematic works built on the medieval stylistics of “Danse macabre”.<\/p>\n

\u041a\u043b\u044e\u0447\u043e\u0432\u0438 \u0434\u0443\u043c\u0438<\/em><\/strong>: M. Mussorgsky, vocal cycle Songs and Dances of Death, historical information, Danse macabre<\/p>\n

\n

Download full paper:\u00a025-Mateva E.<\/a><\/p>\n

\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430<\/strong><\/p>\n

\u0412\u0430\u0441\u0438\u043d\u0430-\u0413\u0440\u043e\u0441\u0441\u043c\u0430\u043d<\/strong>, \u0412. \u0410. (1956). \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u043a\u043b\u0430\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0440\u043e\u043c\u0430\u043d\u0441 XIX \u0432\u0435\u043a\u0430.<\/em> \u041c\u043e\u0441\u043a\u0432\u0430: \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0438 \u043d\u0430\u0443\u043a \u0421\u0421\u0421\u0420.<\/p>\n

\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u0435. \u041c\u0443\u0441\u043e\u0440\u0433\u0441\u043a\u0438\u0439, \u041c.\u041f. \u041f\u0438\u0441\u044c\u043c\u0430. \u0411\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044b \u0438 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u044b.<\/em> (1971). \u0421\u044a\u0441\u0442. \u0410.\u0410. \u041e\u0440\u043b\u043e\u0432\u0430 \u0438 \u041c.\u0421. \u041f\u0435\u043a\u0435\u043b\u0438\u0441. \u041c\u043e\u0441\u043a\u0432\u0430: \u041c\u0443\u0437\u044b\u043a\u0430.<\/p>\n

\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043d\u0430\u0441\u043b\u0435\u0434\u0438\u0435 \u041c\u0443\u0441\u043e\u0440\u0433\u0441\u043a\u0438\u0439.<\/em> (1972). \u0421\u044a\u0441\u0442. \u0410.\u0410. \u041e\u0440\u043b\u043e\u0432\u0430 \u0438 \u041c.\u0421.\u041f\u0435\u043a\u0435\u043b\u0438\u0441.\u041c\u043e\u0441\u043a\u0432\u0430: \u041c\u0443\u0437\u044b\u043a\u0430.<\/p>\n

\u0420\u0438\u043c\u0441\u043a\u0438-\u041a\u043e\u0440\u0441\u0430\u043a\u043e\u0432<\/strong>, \u041d. \u0410. (1978). \u041b\u0435\u0442\u043e\u043f\u0438\u0441 \u043d\u0430 \u043c\u043e\u044f \u043c\u0443\u0437\u0438\u043a\u0430\u043b\u0435\u043d \u0436\u0438\u0432\u043e\u0442.<\/em> \u0421\u043e\u0444\u0438\u044f: \u041c\u0443\u0437\u0438\u043a\u0430.<\/p>\n

\u0421\u0442\u0430\u0441\u043e\u0432<\/strong>, \u0412. \u0412. \u041c\u043e\u0434\u0435\u0441\u0442 \u041f\u0435\u0442\u0440\u043e\u0432\u0438\u0447 \u041c\u0443\u0441\u043e\u0440\u0433\u0441\u043a\u0438.<\/em> http:\/\/az.lib.ru\/s\/stasow_w_w\/text_1881_modest_ptrovich_musorgskiy.shtml (\u0421\u0432\u0430\u043b\u0435\u043d\u043e 22. 05. 2022, 16:15).<\/p>\n

\u0428\u043e\u0441\u0442\u0430\u043a\u043e\u0432\u0438\u0447<\/strong>, \u0414. (1984). \u0417\u0430 \u0432\u0440\u0435\u043c\u0435\u0442\u043e \u0438 \u0437\u0430 \u0441\u0435\u0431\u0435 \u0441\u0438. 1926-1975.<\/em> \u0421\u043e\u0444\u0438\u044f: \u041c\u0443\u0437\u0438\u043a\u0430.<\/p>\n

\u0426\u0438\u0442\u0438\u0440\u0430\u043d\u0438\u044f\u0442\u0430<\/strong><\/p>\n

Red<\/strong>. A. A. Orlova, M. S. Pekelis. (1971). Litearaturnoe nasledie Musorgsky<\/em>. Moskva: Muzika.<\/p>\n

Red<\/strong>. A. A., Orlova, M.S. Pekelis. (1972). Litearaturnoe nasledie. Musorgsky<\/em>. M.P. Pisma. Biograficheskie materiali i dokumenti. Moskva: Muzika<\/p>\n

Rimsky-Korsakov<\/strong>, N.A. (1978). Letopis na moq muzikalen jivot<\/em>. Sofia: Muzika.<\/p>\n

Shostakovich<\/strong>, D. (1984). Za vremeto i za sebe si<\/em>. 1926-1975. Sofia: Muzika.<\/p>\n

Stasov<\/strong>, .V. Modest Petrovich Musorgsky<\/em>. http:\/\/az.lib.ru\/s\/stasow_w_w\/text_1881_modest_ptrovich_musorgskiy.shtml (22.05.2022, 16:15)<\/p>\n

Vasina-Grossman<\/strong>, V.A. (1956). Risskii klasicheskii romans XIX veka<\/em>. Moskva: Akademii nauk SSSR.<\/p>\n

 <\/p>\n

\u041a\u043e\u043d\u0442\u0430\u043a\u0442\u0438:<\/strong><\/p>\n

Elvira Todorova Mateva<\/em><\/strong>, senior lecturer<\/em><\/p>\n

\u0410\u041cDFA \u201eProf. Asen Diamandiev\u201d Plovdiv<\/p>\n

e–<\/strong>mail: <\/strong>elvira.mateva@artacademyplovdiv.com<\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

K\u0410\u041c\u0415\u0420\u041d\u041e-\u0412\u041e\u041a\u0410\u041b\u0415\u041d \u0426\u0418\u041a\u042a\u041b \u201e\u041f\u0415\u0421\u041d\u0418 \u0418 \u0422\u0410\u041d\u0426\u0418 \u041d\u0410 \u0421\u041c\u042a\u0420\u0422\u0422\u0410\u201d \u041e\u0422 \u041c. \u041c\u0423\u0421\u041e\u0420\u0413\u0421\u041a\u0418 \u2013 \u0418\u0421\u0422\u041e\u0420\u0418\u042f \u041d\u0410 \u0421\u042a\u0417\u0414\u0410\u0412\u0410\u041d\u0415 \u0415\u043b\u0432\u0438\u0440\u0430 \u0422\u043e\u0434\u043e\u0440\u043e\u0432\u0430 \u041c\u0430\u0442\u0435\u0432\u0430 CHAMBER-VOCAL CYCLE \u201cSONGS AND DANCES OF DEATH\u201d BY M. MUSSORGSKY \u2013 A HISTORY OF CREATION Elvira Todorova Mateva Abstract: The study of the creative creation of any work of art is connected with a deeper understanding and conscious [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[118],"tags":[81],"_links":{"self":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/941"}],"collection":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/comments?post=941"}],"version-history":[{"count":9,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/941\/revisions"}],"predecessor-version":[{"id":1190,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/posts\/941\/revisions\/1190"}],"wp:attachment":[{"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/media?parent=941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/categories?post=941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pf-yb.com\/bg\/wp-json\/wp\/v2\/tags?post=941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}